18+ only · Fictional muses at the dynamo desk · A private, account-based studio
18+ only · Fictional muses at the dynamo desk · A private, account-based studio
Finish locked clips at delivery size: video upscaling priced by duration and target resolution, from 101 credits.
Priced by duration and target resolution, shown before you confirm. Failed jobs refund automatically.
Clips finish at the same press, with one extra fact in play: the meter runs by the second. So the desk locks the cut before the upscale — trims done, swaps done, the clip exactly the clip that will ship — and only then pays to raise it to the resolution the destination demands.
Judge the result in motion. A paused frame is a flattering liar; artefacts live between frames, and the whole clip, watched once end to end, is the only honest inspection.
Upscaling prices by the second, so the edit must be final: trims done, face swaps done, the clip exactly the clip you will publish.
Storefront and HD requirements are specific — read them, then choose the target resolution that meets them and no more.
A paused frame can look perfect while motion crawls with artefacts. Watch the whole clip through once before you call it finished.
A locked clip raised to the exact HD spec a storefront lists — no more, no less.
One master pass at the highest spec; every platform copy is a downscale of it.
A great performance rendered small by an old setting — enlarged, then judged honestly in motion.
Locked cut: slow push-in; she turns her head toward camera and smiles, one hand resting on the brass dynamo housing. Target: the highest resolution the destination asks for, from one master pass.
Cut locked before the pass — every second is priced, so only keeper seconds were enlarged. Judged in motion, not on pause.
Locked cut: gentle tracking shot; she laughs and brushes a loose strand of hair back, the satin catching the light. Target: the highest resolution the destination asks for, from one master pass.
Cut locked before the pass — every second is priced, so only keeper seconds were enlarged. Judged in motion, not on pause.
| Check | Standard | Why |
|---|---|---|
| Cut locked | Trims and swaps final | Any later edit wastes the pass |
| Destination spec known | Resolution + format | Over-delivering is just overspending |
| Motion judged | Watched end to end | Artefacts live between frames |
| Budget | Priced by duration | Shorten the clip before you enlarge it |
You pay for every second, including the twelve you will trim tomorrow. Lock the cut.
Pause is flattering. Motion is the product — judge the motion.
The tool enlarges; it does not stabilise. Fix wobble before, or pick another take.
One master at the highest spec, downscaled copies for the rest — not two paid passes.
It is priced by duration and target resolution — long clips at full size start from 101 credits, with the exact figure shown before you confirm.
After everything. Upscaling is the final pass on a locked clip.
It raises resolution and rebuilds detail, but it cannot invent motion or light the source never had. Start from your best take.
Yes — automatically, as with every job at SuperAiPron.
Yes, the source clip stays in your library untouched.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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