18+ only · Fictional muses at the dynamo desk · A private, account-based studio
18+ only · Fictional muses at the dynamo desk · A private, account-based studio
The repair bench: inpaint, restyle and extend keeper frames at 21 credits a job. Your original always stays untouched.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Next to the dynamo sits the repair bench, and its philosophy is conservative: a keeper frame with one fault is worth more than a fresh roll of the dice. The editor exists for the strap that slipped, the light that went cold, the readable sign in the background — faults with addresses.
It works in three modes — inpaint, restyle, extend — and one discipline: name the single fault, mask it tightly, say what should be there instead. The original never changes. Every edit is a new piece on the shelf, and frames that need five repairs were drafts all along.
An edit brief is a repair order: “the strap slips off her shoulder”, “the window light is cold”, “the background sign is readable”. One fault per pass keeps the rest of the frame intact.
Paint the mask over the fault and a margin around it, then say what should be there instead — the same six-part language as a fresh prompt, applied to one region.
The original stays untouched in your library. Flip between the two; an edit that fixes the strap but moves her face is a failed edit, however pretty.
Inpaint the slipped strap and the garbled hand; the face, the room and the light stay exactly as generated.
Restyle a cold midday frame into the desk’s amber evening without re-rolling her expression.
Extend a tight portrait outward until there is space for a title above her head.
Inpaint brief: warm the work-light from cold white to amber and remove the readable gauge labels on the panel behind her. Her face, robe and pose stay untouched.
One fault per pass, original untouched. The edit is a new piece in the library; the frame it fixed stays as it was.
Restyle brief: deepen the background shadows and bring the brass fittings to a warm glow; extend the frame slightly right for banner room. Mona herself is not edited.
One fault per pass, original untouched. The edit is a new piece in the library; the frame it fixed stays as it was.
| Mode | What it does | Reach for it when |
|---|---|---|
| Inpaint | Replace what is inside the mask | Wardrobe slips, stray objects, garbled hands |
| Restyle | Re-dress light, palette or finish | Cold light to candlelight, photo to painterly |
| Extend | Grow the canvas outward | A portrait that needs room for a title or a banner |
Fix composition with a re-generation, not an edit. The editor repairs keepers; it does not rescue drafts.
A mask over everything is a re-roll with extra steps. Small masks, exact briefs.
Each pass re-reads the last. Three careful passes beat seven hopeful ones — stop when the fault is gone.
If the face changed, undo. Her face is the one element no edit is allowed to spend.
Edits run through the image editing model at 21 credits per job, shown before you confirm.
Never. An edit produces a new piece in your library; the original stays exactly as it was.
Wardrobe faults, hands, stray objects, light and colour, readable background text, and canvas size via extension.
Yes, if they are yours or you hold the rights and consent for them — the same rule as every tool at SuperAiPron.
One or two for a genuine fault. If a frame needs five, it was a draft — regenerate it instead.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator